Well, I’m stumped on sleeves, so I’m trying to feel better by doing research. (About sleeves.)
But first– the good news! I found a dress that is fashionable in brocade with fur trim or lining, front-opening, has big sleeves that will fit over my brass aglets, is not closely fitted in the waist, there’s a pattern for it (or something very close) in The Medieval Tailor’s Assistant, and also I like how it looks. How’s that for a win?
Here it is:
Source: Louvre. The museum only gives the date as “Early sixteenth century” and the place as “Netherlands,” but… I’ll take it.
What makes this dress different from every other big-V-neck “Burgundian gown” with fur trim and big fur-lined sleeves? Many of those open from the neck past the belt, but until I found this one, all my examples seemed to have openings that stopped well before knee level, with the fur edges getting thinner and disappearing where the opening stops. In this portrait, the fur edges get wider as they descend from the belt, making it believable that the dress is open all the way down the front. Continue reading “1490s sleeve frustration”
Today’s installment of 1320s dress research is a collection of online tutorials, free patterns (printable, scalable, cutting diagrams with measurements, et c), draping instructions/advice, reconstructed garments with dressmaking diaries (in-process photos and notes about lessons learned) or research information, commercial patterns, and a couple of shops offering ready-made options. All about 14th century cotehardies, cottes, kirtles, and other terms for long-skirted dresses fitted in the torso.
For Walpurgis, I think it will be right to have a fitted dress underneath, and a less fitted surcoat, but most of these cover suitable variations on the shape or silhouette of the dress, close enough that the exact fittedness should be easy to adjust. I’ll (probably, sometime) do up a separate post noting what details the Walpurgis dress should have based on the source material.
No pictures today; there’s a bajillion links, and pictures are fussy.
Continue reading “1320s Dress: Possible patterns”
I wrote a bunch of this in January, then, apparently, forgot all about it. This is not the 1490s fashion draft post I thought I had waiting! Anyway, some sleeve talk.
This project consumed a lot more of my time and attention than I expected, although some of that actually went to starting a new job. (Also, the dress was not the only project I was doing for the same deadline! I’ll post some of the writing I did as part of the same project at some point too.)
But, for now, here are a collection of portraits whose sleeves I studied to determine the proper way of closing detached, open sleeves in and around the 1490s in Italy, plus some side commentary about necklaces. Note that this is not a representative sample of common styles, or of the full range of sleeve options, just a selection of portraits that could teach me what I needed to know. Except the weird back of shoulder shape. I didn’t figure that one out.
Continue reading “1490s Sleeves”